Andain Paris
An iris eau de parfum, made at the hour the flower is cut. Six frames, one written direction, four materials. A self-initiated set, to show what holding a direction across a whole campaign actually looks like.

The direction.
( WRITTEN FIRST )One low sun sitting just over the horizon, behind the field, so every petal is rim-lit and the sky does all of the fill. The bottle is never lit on its own: it takes the same dawn as the flowers around it.
An iris field at first light, and nothing else. The name is literal — the harvest is cut at dawn, before the sun opens the flower — so the whole campaign is bound to one hour of one day.
Product at flower height, so the bottle stands among the irises instead of on top of them. The macro on the cap is the only frame that leaves the field, and it keeps the same light.
Glass, copper, petal, orris root sliced open. Four materials repeated across six frames. That repetition is what makes six images read as one campaign instead of six pictures.
One figure, coral against the blue-violet of the field. It is the only warm garment in the set, so she reads as the perfume itself moving through the crop.
The set.
( SIX FRAMES )



